Genesis 8

From a quiet beginning, this arrangement moves into a driving and rhythmic rendition of the carol tune KOMMET IHR HIRTEN. The middle section is more reflective, with optional chimes and suspended mallets

This is a spirited setting of the familiar hymn tune ST. GEORGE'S WINDSOR, calling for mart, mart-lift, ring-touch, and shake techniques as well as extensive use of mallets. The straightforward first stanza

This jubilant piece is based on the Welsh hymn tune CWM RHONDDA, commonly associated with the texts Guide Me, O Thou Great Jehovah and God of Grace and God of Glory. After a fanfare-type

Gigue is a setting for handbells of the final movement of Handel's well-known Sonata in F Major. Intermediate and advanced choirs will appreciate the joyful dance-like rhythms as

The exciting arrangement of the traditional carol tune IL EST NE offers the flexibility of a wide tempo range. Inner moving lines add sparkle, as do mart and mallet accents. The piece drives to an exciting

A handbell homage to the one and only Aretha Franklin! Though originally recorded by Dionne Warwick in 1966, this song was given a syncopated and upbeat twist by Aretha in 1968 when I Say a Little

Haunting and ethereal, this arrangement of the beloved carol NOEL NOUVELET is unlike any you've heard before! Powerful and unique harmonies, interesting color with the use of optional handchimes (3-7

This arrangement of the beloved tune CLOSER WALK is a gentle, gospel-like setting that ringers will enjoy playing. Mallet rolls and optional handchimes (3 octaves) offer just enough challenge to make this a

The verses in 1 Corinthians 13 with themes of love, kindness, patience, endurance, and hope are illustrated in the various sections of this gorgeous original composition with gentle, flowing lines and lofty

This arrangement of the Bohemian tune MIT FREUDEN ZART is joyous and upbeat right from the start, with rhythmic shifts from 6/8 to 3/4. The opening and closing sections employ malleted, multi-metered,

"Whoever believes in me, rivers of living water will flow from within them." In this original composition, handbells describe a metaphor where faith starts as a small brook that gradually becomes deeper and

This lush setting of BROTHER JAMES' AIR features a flowing handbell texture with optional flute solo. The sweeping musical phrases employ good use of LVs and musicality while ebbing and flowing in perfect

This original composition opens with a haunting lyrical section employing LVs and fresh harmonies followed by an energetic and rhythmic middle section employing mallets and several techniques providing

Combining two favorite carols, Angels from the Realms of Glory and Angels We Have Heard on High, this stirring arrangement works well as a stand-alone handbell piece, a choral SATB anthem,